ONE NIGHT STAND REVIEW: SUNNY LEONE’S FILM IS NO FATAL ATTRACTION
A danger assembly among a mysterious woman and a champion event organiser results in a crazy night time spent typically in a tub and partly on a sofa. they are content material, wondering their paths will by no means cross once more. but they do, and the target audience is also given a skewed feminism debate, delivered Sunny Leone-style. The ground shakes beneath Urvil’s (Tanuj Virwani) ft whilst he discovers that Celina (Sunny) lives in his city. The plot is much like deadly enchantment, but Virwani is not any Glenn near. He tries, though, and the script is a massive help. His person of a a hit company guy is carved with attention. The dialogues convey out his confidence and obsession. but Sunny Leone and her wobbly Hindi play the spoilsport. the idea is laid with precision and we without a doubt see the actors justifying their professions. maintaining the conversations specific (examine no melodrama) is the actual distinction among One night Stand and a regular Bhatt film. in contrast to other Sunny Leone films, this one isn’t dull. In fact, it is lucid through most of its 99 mins of walking time. What doesn’t work, though, is the compelled debate around how Indians study informal flings. It seems as an afterthought to defend steamy scenes and dance numbers. despite the fact that, burning issues like marital rape and profession after marriage are handled comfortably and a innovative outlook. This eventually turns out to be the great factor about One night Stand. The melodious songs come a close 2d. but make no mistake: One night Stand remains a mean film with a run-of-the-mill subject. It, but, is one of the better finished merchandise with a similar recipe.